Local Lore – Clutch MOV https://clutchmov.com Online Magazine for the Mid-Ohio Valley Wed, 28 Apr 2021 18:53:29 +0000 en-US hourly 1 https://wordpress.org/?v=5.3.16 https://clutchmov.com/wp-content/uploads/2017/11/cropped-Untitled-2-1-32x32.jpg Local Lore – Clutch MOV https://clutchmov.com 32 32 131640904 Susan Sheppard’s Legacy Lives On https://clutchmov.com/susan-sheppards-legacy-lives-on/ https://clutchmov.com/susan-sheppards-legacy-lives-on/#comments Wed, 28 Apr 2021 18:52:16 +0000 http://clutchmov.com/?p=28835 She stepped out into the dark and thrust her beaming, skull-shaped lantern into the air. The light spilled onto her silhouette which was clothed in swishing black fabrics and dark velvets that complemented the eeriness of her stories. Her trademark dark, straight locks framed her face as she gave instructions to follow closely on the […]

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She stepped out into the dark and thrust her beaming, skull-shaped lantern into the air. The light spilled onto her silhouette which was clothed in swishing black fabrics and dark velvets that complemented the eeriness of her stories. Her trademark dark, straight locks framed her face as she gave instructions to follow closely on the tour. Quickly, her boots turned and clicked away out of the lobby of the hotel and up Market street, a group of people trailed behind listening, rapt, as she led them through the haunted streets of Parkersburg. 

“The aficionado of all ghoulish things in the MOV. Her storytelling abilities were unparalleled. I went on the Haunted Parkersburg tours every year since I was a teenager. Even when I lived away, I would come home around Halloween and make it a point to go. The way that she intertwined folklore and local history was captivating. I learned something new every time, including this past year, nearly two decades later,” Parkersburg resident Caci Bailey said.

So, in the perfect tribute to Susan Sheppard’s brilliant life, the Mid-Ohio Valley gathered together for a final time to make the walk to Riverview Cemetery. They honored her by dressing in the same swishing, gauzy fabrics that were her style, making art, and walking a route with which she was all too familiar. 

“Susan was, and still is, a well-respected icon in the Mid-Ohio Valley. The celebration turnout showed how many lives she had touched throughout the years and how she used her gifts to help others,” said Rebecca Rhodes, Parkersburg resident and attendee. “It’s fitting Susan be honored with a New Orlean’s parade. She believed in life and spirit after death. The celebration was confirmation that her legacy will live on and she will continue to impact the lives of the community.”

The magic she packed into her time is a gift to me, to everyone who loved her, and to her beloved West Virginia. I will forever be proud to be her daughter.

Scarlet Sheppard

The parade was meant to celebrate a life well lived, and while mourning occurred, Susan’s life and her patronage of the arts was the forefront of the event. Rhodes described the event and its participants as jubilant as they walked through downtown. Individuals were taking part in the sacred art of smudging, some wore Day of the Dead sugar skull masks and traditional Hispanic music was playing with the accompaniment of drums and tambourines. 

“My mother’s life was not just mine to participate in: it was hers to live. And, wow, did she! This moment feels tragic. But, as my mom would tell you, the real tragedy would be living one hundred years as an inauthentic version of ourselves. The magic she packed into her time is a gift to me, to everyone who loved her, and to her beloved West Virginia. I will forever be proud to be her daughter,” Scarlet Sheppard, Susan’s daughter, said.

Susan’s legacy is carried on through her daughter, who not only bears a striking resemblance to Susan, but shares her love of arts, laughter, and making space for people who might not fit in anywhere else.

“Of all the moms I could have gotten, how lucky I feel to have gotten mine. Almost thirty years spent with her does not seem like nearly enough. Not enough stories, not enough wild laughter, not enough kisses. But I doubt anyone feels they get enough time with their mothers,” Scarlet said.

Susan’s love of all things different and “weird” not only extended into the paranormal, but for people as well. Dozens of Facebook tributes to her described her as someone who made space for those who felt that they had space nowhere else – some who encouraged others to live their lives exactly as they felt called to do. 

Susan gave the wanderers, the artists, the poets, the sensitives and weirdos one last space to remind them, they too are magical.

Andi Roberts

“Honestly, the day was a bit surreal. It was hard to believe that Susan wasn’t there because her spirit there was just so very strong. We all move in these communities that intersect and intertwine the different parts of our lives and it was fascinating to see so many different people gather – to see how once again, Susan gave the wanderers, the artists, the poets, the sensitives and weirdos one last space to remind them, they too are magical,” local photographer Andi Roberts said. “Susan created a community for people who felt like they did not belong anywhere else.”

Although the parade was joyful and vibrant, the gravity of the situation was not lost on participants who were simultaneously grieving while using the processional as a form of catharsis.

“It was sad seeing her family and close loved ones, still moving in disbelief or fueled by the energy that the death of a loved one temporarily brings. But it was also moving to see Susan be honored in a way that was so fitting. I thought to myself and heard over and over again, ‘She would have loved this,’” Roberts said. “I don’t think I would be too far off base if I suggested that to the people who loved her for the icon she was, the parade was the only proper way to send off their Queen,” Roberts said.

For Susan’s family, the symbolism of the parade was a gift to the community who loved her so. Not only did they choose to share a private moment of grief, but they did it in a way that offered comfort and calmness to many who were feeling lost.

“It’s not lost on me how incredibly generous they were to share their grief and mourning with the larger community. I Imagine, for Scarlet, and those in her inner personal circle that Sunday’s event was about authenticity and the need to truly honor who she was not just in their hearts, but in the heart of the community” Roberts said.

Led by Scarlet, who affixed a Mothman patch on her denim jacket as a tribute to her mom, the parade moved up Market Street. Roberts chose to photograph the crowd from an angle that showed the true size of the procession. 

“Seeing the group snake through Susan’s old stomping grounds, but with Scarlet at the helm brought up a string of emotions that ranged from grief to pride. Susan was always so proud of Scarlet and Sunday would have been no different,” Roberts said.

Once the group made their way to the cemetery, the group paid their final respects to a woman who had given so much. Wreaths, flowers, art and more piled beneath her photo as Scarlet hung her signature black top hat on the fence. While Susan may be gone, her memory, spirit and stories will live on in all who walked for her that day. 

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Krampus: St. Nick’s Dark Companion https://clutchmov.com/krampus-st-nicks-dark-companion/ Thu, 12 Dec 2019 15:02:20 +0000 http://clutchmov.com/?p=22362 As how and why we celebrate the Christmas holiday continues to change, so indeed has the legend and lore of Christmas monsters. Though in modern days, films have twisted the figure of Krampus into a sort of anti-Santa character, his origins in the mountains of Austria and Bavaria had a very different beginning. Let’s explore […]

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As how and why we celebrate the Christmas holiday continues to change, so indeed has the legend and lore of Christmas monsters. Though in modern days, films have twisted the figure of Krampus into a sort of anti-Santa character, his origins in the mountains of Austria and Bavaria had a very different beginning. Let’s explore the history, the legends and the celebrations around Krampus.


The sound of bells jingles clearly in the cold winter night. The sound of footsteps crunching in the snow grows ever louder. Shrieking and laughter draw near, as the little children press their noses against the glass for their first glimpse of St. Nicholas and his dark companions: the Krampus. Will the children’s behavior over the past year deserve presents from the saint or a whipping from the monsters? The children hold their breaths for the verdict. After a stern glance over his list, the saint finds the names of the children and they receive the presents they deserve. The Krampus shriek out to have missed their prey, and St. Nicholas wards them away from the good children, who laugh at the silly shenanigans of the monsters. Perhaps naughty children are awaiting in the next house on the block…

This is an utterly strange idea to those of us in the United States used to the tame and one-sided version of Christmas as a time of happiness, joy and light. The scene of monsters working hand in hand with St. Nicholas is an all but forgotten tradition, with roots going back hundreds of years. Today in Austria, Bavaria, alpine Italy, and Scandinavia the presence of Christmas monsters is a rediscovered tradition now celebrated annually in many different ways.

What is a Christmas monster?

To answer this question we must see how the image and story of Santa Claus have changed over the centuries. Looking past the jolly, cherub image of Santa Claus common in the United States today, Santa’s historic roots reveal a much sterner and strict figure. St. Nicholas of Myra, a Christian monk who lived in 3rd century Turkey, is the patron saint of sailors, children, wolves, pawnbrokers and more.

St. Nicholas, from www.stnicholascenter.org

There are few historical details of St. Nicholas’ life, and even the year of his death is debated. He is traditionally celebrated on December 6, and by the Middle Ages, his fame had spread throughout Christian Europe. The real man became entangled with earlier religious beliefs of those areas and his image changed into an old man with a large beard (similar to Odin of Scandinavia) as well as giving him the power of flight.

Today, most of the images we incorporate in our modern Christmas traditions originated as late as the Victorian Era. It began with the makeover of the old, darker tradition with Clement Clarke Moore’s 1822 poem now known as “The Night Before Christmas”. It wasn’t until the late 1800s that the standardized image of Santa became a full-size adult, jovial and jolly, dressed in red and driving a flying sleigh pulled by 8 reindeer.

During the Middle Ages, other figures that pre-existed Christianity in Europe joined St. Nicholas as his servants. These Christmas monsters accompany St. Nicholas on his journeys to distribute presents to the good children and punishment to the naughty children. There are many monsters of all shapes and sizes, and they offer varying degrees of mischief and punishment. There is Gryla, the Christmas Witch of Iceland. Her children, known as the Yule Lads, wreak havoc on the 13 nights leading up to Christmas. Their pet, the frightening Yule Cat, will attack anyone not wearing a new piece of clothing for the holidays.

Yule Lads, from www.icelandicmountainguides.com

Frau Perchta, of Germany and Austria hands out both rewards and punishments from December 25 through January 6, and has been known for her grotesque looks. La Befana of northern Italy is an ugly but good witch who leaves presents for children. Belsnickel, still seen in areas settled by the Pennsylvania Dutch, wears tattered clothing and ragged fur. He frightens the naughty and rewards the good. Hans Trapp of Alsace and Lorraine is a monstrous scarecrow sent to scare children into good behavior.  And there are still many more!

Belsnickel

The most well-known Christmas monster (in the United States today) is that of Krampus. A furry, horned figure wearing chains and bells and carrying a basket and switch, stalks the Christmas festivals of many cities today. In Europe, Krampus is friendly to St. Nicholas and follows his lead on who must be punished. However, there are many misconceptions as to what Krampus is, and what he stands for in the United States. To many people of Christian upbringing, Krampus looks a lot like ‘Satan’ in Medieval art. Descriptions of Satan are vague in the Bible, so the image of Satan was cobbled together using bits and pieces from religions that pre-dated Christianity in Europe. Hoofs of Pan, horns from forest gods, sometimes winged like the fae creatures of old lore.

Although it is clear that though Krampus is portrayed as looking similar, he is not, in fact, demonic. He is a helper to St. Nicholas and encourages good behavior; he does not tempt children into misdeeds. Even the image of Krampus changes from town to town, sometimes taking on more human features than beast, here looking more like an old man, there looking more like a wolf. The term Krampus comes from the Middle German ‘Kralle’ meaning ‘Claw’ and is not an individual’s name. Rather, Krampus is a particular type of creature, and many Krampus often travel together with St. Nicholas.

Krampus

Krampus originally was not seen as anti-Santa. They work together to promote goodness and discourage naughty behavior. However, that has been changing for many modern people disenchanted by the commercialized version of Christmas we see today. Krampus has been embraced in America by those who are looking for a deeper meaning to the traditional holiday set in the darkest time of the year. He has come to represent the hidden and historic aspects of Christmas.

Why would Krampus be seen in Marietta?

According to Jann Adam’s book ‘German Marietta and Washington County’, people of German heritage were among the earliest white settlers of Ohio. Even before there was a town established, Major Johann Zeigler was stationed at Fort Harmar. He later became the first mayor of Cincinnati. John Heckewelder worked with Rufus Putnam to draw up a treaty with local Native tribes. In 1834, there was a concerted effort to increase the number of people living in Washington County. The early years were riddled with disease, famine and natural disasters, reducing the population and discouraging settlement by the thousands heading west along the Ohio River. Agents were sent to the German-speaking lands to encourage immigration to the Mid-Ohio Valley.

People of German heritage were understood to be hardworking, determined and steady folk, exactly what was needed to help Washington County grow in prosperity. Enticed by the dream of a new life in the untamed wilderness, hundreds of German families arrived in Southeastern Ohio between 1830 and 1860. Families with names such as Peters, Bohl, Biszantz, Wagner, Best, Weber, Kuhn, Lang, Gross, Fischer, Kunz, Wendelken, Schultheiss, Strecker, Braun, Schafer, Seyler, Meister, Otto, Kaiser, Schlicher, Neader, Pfaff, Rodick, Wittlig, Brickwede, Gruber and many more!

Pfaff Bakery in Marietta, OH

Germans in Marietta brought their own culture to the area. In 1859, while the rest of town was celebrating the Fourth of July with somber speeches, the Germans celebrated by throwing parties with singing and drinking. German-speaking newspapers such as the Marietta Zeitung were printed regularly and churches such as the German Evangelical Church at the corner of Fifth and Scammel Streets were built, with services in German until 1919. German-owned businesses flourished, and many of the beautiful, historic homes that exist in Marietta and the surrounding county were built by these prosperous families. Early on, German-speaking families were proud of their heritage and history. It wasn’t until World War One when many families started to abandon their German ties and identify instead as Americans.

St. Paul’s German Lutheran Church in Marietta in 1870

How is Krampus celebrated in the old country?

In Austria and Bavaria, regions of Europe where many Marietta families originated, Krampusnacht (Krampus Night) has been a long-established night of Christmas monster fun on December 5. Traditional lore states that Krampus would come the day before St. Nicholas to punish the naughty children. If you survived December 5, you knew you would be rewarded when St. Nicholas day came on December 6. Many times the celebrations centered around Krampus-lore take place side by side with traditional German Christmas Markets. German Christmas Markets consist of dozens of tiny stalls selling Christmas items, trinkets, foods and mulled wine. They have a huge draw and have been taking place for centuries in places such as Salzburg, with origins back to 1491. These southern Christmas Markets are not complete without various forms of Krampus being seen each day.

German Christmas Market from www.dangerous-business.com

The culmination of events surrounding Krampus often takes place in the form of the Krampuslauf (Krampus Run) which is a parade of intricately carved Krampus masks and ornate costumes. Holding loud drums and wearing ringing bells, ornery Krampus hold fiery torches and dance and leap menacingly along the parade route. They are often accompanied by St. Nicholas and it is a fun spectacle for families who attend the market. In some regions, multiple Krampus will even visit homes alongside St. Nicholas to distribute gifts (with the threat of punishment) to the children in their town.

Krampus in the United States

While many families of German background kept the traditions associated with Christmas monsters alive, the internet helped spread the tradition found in the mountains of the Alps around the world. Today, Krampus can be found haunting Christmas celebrations in cities across the United States; from Columbia, SC to Dallas, Texas with a Krampus event drawing 3,100 spectators to Bloomington, Indiana in 2015. In Ohio, Columbus throws the ‘Merry Krampus’ festival in early December, Cleveland hosts Krampus Fest and the Germania Society of Cincinnati hosts a Christkindlmarkt featuring Santa Claus, Mrs. Claus, Saint Nicholas, the Christkind and Krampus.

In a place of such strong German heritage as Washington County, it is no surprise that Krampus has finally made his way to town! In an effort to preserve tradition and teach cultural heritage, Hidden Marietta continues to uncover the weird, shocking and spooky side of history. While Krampus looks at first menacing, his shenanigans should be looked upon as fun instead of scary. Many people yearn to understand the darker side of Christmas, and learning how their ancestors would have celebrated gives the modern holiday a historical and authentic basis. 


References:

The Krampus and the Old Dark Christmas: Roots and Rebirth of the Folkloric Devil by Al Ridenour

German Marietta and Washington County by Jann Adams

Who Was St. Nicholas? By Nate Barksdale

The Changing Face of Satan, from 1500 to Today by Carey Dunne

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Wild, Wonderful and Weird: The Mothman https://clutchmov.com/wild-wonderful-and-weird-the-mothman/ https://clutchmov.com/wild-wonderful-and-weird-the-mothman/#comments Thu, 13 Sep 2018 12:23:11 +0000 https://clutchmov.com/?p=17232 November 2nd, 1966. It is a commute driven a thousand times before. Woody Derenberger, a Mineral Wells resident and local salesman, heads southbound on I-77 from Marietta after a long day of work. It is roughly 7:30 pm. Evening comes early with the autumn winds and that night’s darkness is no exception. Headlights ablaze, his […]

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November 2nd, 1966. It is a commute driven a thousand times before. Woody Derenberger, a Mineral Wells resident and local salesman, heads southbound on I-77 from Marietta after a long day of work. It is roughly 7:30 pm. Evening comes early with the autumn winds and that night’s darkness is no exception. Headlights ablaze, his panel truck journeys onward toward the Staunton Avenue exit. Other cars, their lights shining through the murky dark, pass. One such vehicle passes with yet another behind it following closely at a distance of maybe 25 feet. This vehicle veers in front of the truck and slows, forcing Woody to slow as well. Woody first notices through his headlights that the vehicle has no wheels, but rather appears to be hovering over a foot off of the ground. He then notices the vehicle’s peculiar shape and length. It is roughly 30 feet long and is shaped like a stovetop pipe. A door opens, and out into the headlights walks a man, well-dressed and smiling. Woody describes him as looking very tan, with slicked-back hair and wearing a button-down shirt and trousers which, despite having a metallic sheen, more or less match the fashion of the day. The man proceeds to ask Woody a series of questions, some about the area, some more personal. Midway through the conversation, Woody realizes that the man is not speaking but is rather pressing the conversation telepathically. Realizing Woody’s apprehension, the man tells him to not be afraid. When asked about his name and origin, the man speaks plainly.

“I am called ‘Cold’.”

Mr. Derenberger will make local news the next day. Fifty-two years later, many will try to make sense his story and the interwoven thread of terror that would grip the Ohio Valley for the next year.

November 10, 1966. One week has passed since the Derenberger story aired on WTAP News in Parkersburg. The days are growing colder and shorter still. In a cemetery outside of Clendenin, WV, five men are at work, laboring one of the great, ancient professions. Gravediggers, by their very nature, are not the type to be easily spooked or prone to fantasy, but on that November day, these men would note something birdlike, brown and disturbingly human flying amidst the treeline, passing over and away. Five days later, a small riverside town nearly 100 miles away would descend into chaos and conspiracy in the shadow of events that echo to this day.


November 15, 1966. Salem, WV resident Merle Partridge (referenced as “Newell” Partridge in some sources) is watching television at home. It is a little after 10pm on a Tuesday. Merle’s television emits an awful hum, growing louder and louder until the screen blackens. Bandit, his full-blooded German Shepherd, is restless. The dog grows more and more agitated, pacing Merle’s front porch, focused on the far end of the property. Merle, concerned by Bandit’s erratic behavior, grabs his shotgun and walks out onto the porch. He scans the property. It is quiet, the Appalachian night bathing in a kind of darkness one only experiences in lonely places. There is nothing, despite Bandit’s growls. Nothing. A pair of lights apparate, red and circular against the shadow. They circle over and over. Bandit charges, disappearing. Barking and barking, Bandit runs deep into the fields until he is no longer barking. The silence sets in again. Merle cannot pursue for he is frozen by extreme fear like that of prey in the eyes of its predator. Despite being armed, Merle Partridge cannot bring himself to leave the porch. He never again sees his beloved Bandit.

“…about six or seven feet tall, having a wingspan of 10 feet and red eyes about two inches in diameter and six inches apart.”

That same night, 90 miles away in Point Pleasant, WV, two local couples, Mr. and Mrs. Scallete and Mr. and Mrs. Scarberry, are driving through the McClintic Wildlife Management Area (known locally as the “TNT Area”). Twenty years prior this backcountry produced and stored ammunition. The abandoned munitions plant sits decaying in the hollow, the wilderness creeping in. It will be demolished many years later. It is near 11:30 pm, one hour after Merle Partridge faced down an unseen terror. According to the 1966 newspaper report by Mary Hyre, local correspondent for The Athens Messenger and somebody who will become wedded to Mothman lore, the couples describe witnessing a creature “..about six or seven feet tall, having a wingspan of 10 feet and red eyes about two inches in diameter and six inches apart.” The couples flee back to Point Pleasant, speeding down backroads. The creature keeps up with them, matching speeds up to 100 miles per hour. On the way back into town, Roger Scarberry notices the corpse of a large dog along the side of the road. Once in town, the youths rush to the sheriff’s office, reporting the incident to Deputy Millard Halstead. Other reports from across the area soon start flooding in. The sheriff’s investigation turns up no evidence of any creature. The body of the dog seen earlier in the evening is nowhere to be found.

Once Ms. Hyre publishes her brief story about that evening’s strange occurrence, a localized Pandora’s Box of extraterrestrial and paranormal activity opens. Between November of 1966 and December of 1967, over 100 reports regarding sightings of the creature and of UFO phenomena floods police stations and news outlets across the area. More witnesses see the creature, specifically, its red and reflective eyes, in and around the TNT area. Orange and red lights are observed in the skies. Many witnesses who come in contact with the creature report red and swelling eyes, diagnosed by local doctors as actinic conjunctivitis – a kind of eye inflammation caused by long exposure to ultraviolet light.

The story explodes, reaching notoriety across the region and across the country, drawing the curiosity of many, including paranormal writer John Keel. Keel, whose research into UFOs had gained him some notoriety prior to the events in Point Pleasant, would become central to the lore, with his 1975 account, The Mothman Prophecies, becoming a national bestseller and primary inspiration for the 2002 movie of the same name.

Sightings continue over the course of the next year. By now reports of UFOs and monsters are evolving, with accounts of demonic entities, poltergeist activity, and strange men in black suits entering the mix. Ms. Hyre and John Keel both report in The Mothman Prophecies encounters with these “Men in Black” (and yes, to be clear, the Men in Black phenomenon is what inspired the movie franchise of the same name). These men are described by Keel and Hyre as tall, unnaturally pale, and devoid of hair with unnatural speech patterns and awkward social graces. Furthermore, their dress is described as unusual for 1960s West Virginia. Hyre describes these men as dressed in black suits and matching hats, looking more at home in a 1950s jazz hall (or perhaps a mid-90s ska punk concert). These odd visitors would follow Keel, if one believes his book, throughout The Mothman sightings and into the years after, attempting to dissuade him from pursuing his reporting on UFOs and related events.


A year passes. The Christmas season is in full swing as 1967 draws to a close. The residents of Point Pleasant are going on about their lives with the last year’s weirdness fading into the past like a fever dream. John Keel, however, finds no rest. Like a swimmer caught in a rip current, John is consumed by The Mothman. In his book, Keel describes mental torment at the hands of an omniscient entity that watches him, taunting him with vague messages and prophecies. The entity gives a cryptic warning: A disaster is coming. And it is coming soon. Keel describes his frantic attempt to decode the message. He believes something will happen at one of the local plants, perhaps a spill or an industrial accident. The coming disaster does not meet John Keel’s fear, it eclipses it.

The Silver Bridge collapsed in 1967, killing 46 in one of the deadliest bridge collapses in American history

The Silver Bridge collapsed in 1967, killing 46 in one of the deadliest bridge collapses in American history

December 15, 1967. It is rush hour. Commuters are traveling on the Silver Bridge that traverses the Ohio River between the towns of Point Pleasant, WV and Gallipolis, OH. It is a cold night. Deep in the workings of the bridge, a single eye-bar with a mechanical defect nearly impossible to detect begins to crack. This failure sets off a reaction, creating a domino effect until the bridge, compromised by its failing mechanics and the weight of the traffic above, falls into the river. 46 perish in the black water. Only 44 bodies are recovered. It is, at the time, the worst tragedy of its kind in America. As the region mourns and grapples with making sense of what has happened, whispers of conspiracy abound. Keel writes of locals witnessing strange men under the bridge in the days leading to the collapse. Others report having seen a large flying creature prior to the tragedy. These reports are unsubstantiated and anecdotal, much like the dozens of stories that came before. Officially, the tragedy is declared a result of faulty engineering and improper maintenance.

Pieces of the original Siver Bridge on display at The Mothman Museum

Pieces of the original Silver Bridge on display at The Mothman Museum

Paranormal activity dissipates rapidly in the months following the collapse. All eventually becomes quiet. The witnesses go about their lives with the memories of the experience fresh in their heads. John Keel makes a career as a writer, churning out several books on ufology and pseudoscience. Decades pass and a memorial bridge is constructed, but Point Pleasant is never the same.


It should be noted that some view Point Pleasant as a town which was never meant for normalcy. Perhaps the sleepy West Virginia town is itself the stuff of legend. Let us look into this a bit more deeply.

(Author’s note: The Battle of Point Pleasant is a story itself deserving of a full article and analysis, not simply as a footnote in an article about UFOs and cryptozoology. Expect a more methodically researched and better-written piece on the subject at some point.)

Point Pleasant was the battleground for the bloodiest encounter of Lord Dunmore’s War, a British expedition into Shawnee and Mingo territory during the autumn of 1774, approximately four months before the first shots of the American Revolution. John Murray, 4th Earl of Dunmore was royal governor of Virginia up until the colonial rejection of British rule. In the years leading to The American Revolution, Great Britain acquired territory from France during The Seven Years’ War, specifically its North American theater, known to history as The French and Indian War. After the acquisition of lands in what is now West Virginia and eastern Kentucky, British settlers came against Native Americans who had populated the region for centuries prior. In 1768, the British signed The Treaty of Fort Stanwix with the Iroquois Confederacy, which ceded Native American lands south of the Ohio River to the settlers. The Shawnee and Mingo tribes who inhabited this territory, however, were not signatories to the treaty and opposed the deal. In October of 1774, a Virginian expeditionary force made their way through the newly acquired territory. Their objective was to meet with another expeditionary force moving west from Pennsylvania and cull any resistance put up by the indigenous population. While camped at the confluence of the Ohio and Kanawha rivers in what is modern day Point Pleasant, the Virginians were met by a force of Shawnee and Mingo warriors led by Hokolesqua, or as he is known in most history books, ‘Chief Cornstalk’. The battle was violent and intense, deteriorating into hand-to-hand combat at times. The Virginians eventually win the day, forcing back Hokolesqua’s force. The Shawnee and Mingo would eventually make peace with the invaders, Hokolesqua himself becoming something of a diplomat between the two cultures.

Chief Cornstalk's gravesite with memorial to the Battle of Point Pleasant in the background

Chief Cornstalk’s grave site with memorial to the Battle of Point Pleasant in the background

Three years later, in the autumn of 1777, Hokolesqua makes a diplomatic visit to Fort Randolph in Point Pleasant where he is captured and held hostage at the volition of Commander Matthew Arbuckle. One month later, after reports reach Fort Randolph indicating that a white settler had been killed by a Shawnee, Hokolesqua is murdered by soldiers at the fort along with his son and two other Shawnee captives. Legends since have stated that Hokolesqua placed a curse upon the land with his dying breath, which some attribute to The Mothman sightings and subsequent collapse of Silver Bridge; however, no reliable proof of such a curse or utterance exists and it is assumed that the legend of Cornstalk’s Curse is nothing more than embellishment predicated upon the racial stereotype of the “Indian Curse” prevalent in the American horror tradition (E.g. Stephen King’s Pet Semetary and countless traditional ghost stories).

Regardless of facts, and believe me when I say that facts are hard to pin down in this case, The Mothman and the events surrounding its appearance have made their impact. A bestselling novel, several documentaries, and a Hollywood movie later, the Winged One has grown from a lurking terror to a loveable mascot, and Point Pleasant has embraced that history. Whether you visit Mothman Museum located downtown and its gift shop complete with every accessory a Mothman enthusiast could want (You’ve gotta try the Mothman Rootbeer, it’s fantastic), check out the annual Mothman Festival held in September or just get your selfie taken with the big guy himself at the one-of-a-kind Mothman Statue adjacent to the museum, it’s clear that when it comes to paranormal must-sees, Point Pleasant more than earns its spot.

Mothman Statue in Point Pleasant

It is tough to say what, if anything, happened in Point Pleasant between 1966 and 1967 outside of the Silver Bridge collapse. John Keel is a polarizing figure, both celebrated as a ufology trailblazer and castigated as a snake oil salesmen capitalizing on tragedy to sell a book. If you go to Point Pleasant, go for the history and for the people as it is truly one of the Ohio River’s crowned jewels. But if you find yourself out a desolate Appalachian road late on an autumn night…

Keep your eyes on the road and not to the skies,

Lest you catch the gaze of the thing with red eyes...

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Wild, Wonderful and Weird: The Flatwoods Incident https://clutchmov.com/wild-wonderful-and-weird-the-flatwoods-incident/ Wed, 11 Jul 2018 10:36:13 +0000 https://clutchmov.com/?p=16490 Stories of “close encounters”, that is to say, contact between humanity and something not of this earth, have become major cultural touchstones of modern society. Our collective imagination has, since before the time of mass communication, envisioned visitors from the stars descending upon chariots of fire and bringing with them alien technologies. Sometimes these imagined […]

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Stories of “close encounters”, that is to say, contact between humanity and something not of this earth, have become major cultural touchstones of modern society. Our collective imagination has, since before the time of mass communication, envisioned visitors from the stars descending upon chariots of fire and bringing with them alien technologies. Sometimes these imagined visitors come as peaceful apostles bearing gifts of enlightenment. Other times they come as conquerors and destroyers who enslave and exterminate with Roman efficiency.

Hollywood loves these tropes. Since the dawn of cinema, science fiction classics like “The Day the Earth Stood Still” (1951), “E.T.” (1982) and “Independence Day” (1996), have basked in the pop culture love affair we have with the concept of extraterrestrial life. When you think about it, our affection for the otherworldly makes all the sense in the world – we are curious creatures adrift in an average galaxy, circling a nondescript star on, as influential astronomer Carl Sagan put it, “a pale blue dot.” Ours is a lonely existence, and we want to know how alone we really are.

It is with this understanding that I wish to tell the tale of a very strange incident that occurred not far from the Mid-Ohio Valley on a cool September evening in 1952, in the town of Flatwoods, West Virginia.FlatwoodsIt’s a quarter after 7pm on the 12th of September. Brothers Edward and Fred May and their friend Tommy Hyer are enjoying the pre-autumn air at the school playground. Shortly thereafter, the youths spot a bright object arc across the darkening sky, slamming down over a nearby hill. The boys, excited by what they have just observed, rush to the May household where they relay the incident to Mrs. Kathleen May. The boys convince her to accompany them to the property where the fireball had descended. Along the way, the quartet is joined by neighborhood boys Neil Nunley and Ronnie Shaver, along with 17-year-old national guardsmen, Gene Lemon.

The woods of Appalachia run deep and are dense.

The events that occur after the group enters the woods vary by interpretation and we’ll discuss that here in a moment. I want to take a second to set this stage, just for the sake of perception. I don’t know if you have ever spent any time a West Virginia forest, but if you haven’t, know this – the woods of Appalachia run deep and are dense. They can be disorienting in broad daylight and downright eerie at night. Now, imagine that you and a group of your friends who are aged between ten and seventeen are walking through the forest at night, armed with flashlights. There is one adult with you, but you are otherwise on your own. You have seen something that you cannot explain crash into the woods and you are unsure of what you will find once you reach the crash site. There is an innate anxiety there, no matter how stout your heart may be, and suddenly every sense is magnified. You are aware of every footstep, every whippoorwill’s call. You sense every shadow, every breath. The mind, in situations like these, rests in a liminal space between logic and instinct, floating between what is real, and might be real.

This state of being is what horror movies are predicated on. With that understood, let’s return to our story.

The group treks through the woods and eventually reaches the area where the boys had witnessed the bright object fall and are immediately overwhelmed by a foul, metallic odor that radiates from a strange mist that has settled along the ground. The group notes a pulsating red light through the trees. Gene Lemon, the young national guardsmen, notices a pair of eyes, not unlike that of a nocturnal animal, watching the group from what appears to be a branch on a nearby tree. He shines light upon the figure, revealing an unearthly terror standing nearly ten feet tall with a spade-like face and claws outstretched in front of it. The beast hisses and glides toward the terrified party. The group flees at the sight of it and later reports the sighting to authorities. Their stories are corroborated and reports are filed. The testimony from the witnesses will later fall under the cross-examination of ufologists, cryptozoologists, hobbyist believers, and skeptics around the world over the course of several decades.

Original drawing of the Flatwoods Monster done in 1952

Original drawing of the Flatwoods Monster done in 1952

On the surface, there is a lot of compelling – if subjective – evidence that one could use to build a case for a close encounter in Flatwoods, WV. The UFO, the strange lights, the metallic-smelling mist, the creature itself – all of this comes together to create a fantastic story. The skeptics, however, chalk up the events that occurred in this small West Virginia town to coincidence and, as we discussed earlier, human imagination.

Take the UFO for example. The boys describe a “fireball” blazing across the sky. A crashing alien ship, perhaps? Well, maybe not. On September 12, 1952, the bright, blazing light was witnessed by a large number of people across Maryland, Pennsylvania and West Virginia. Most observers surmised that it was a meteor – an impressive sight, but certainly not an indicator of a Martian visitor. The pulsing red lights described by the eyewitnesses are largely dismissed as airplane lights or perhaps an optical illusion attributed to the overall stress of the situation. The metallic-smelling mist might sound compelling as anecdotal evidence, but according to investigators who looked into the incident, nausea felt by the witnesses at the time was likely psychosomatic and the mist itself was likely fog settling in over the forest. As for the monster itself, most skeptics point to the same perpetrator – the common barn owl. The creature is described as having a spadelike face, outstretched claws, and raspy hiss, all characteristics of a barn owl. The creature’s size can be attributed to the height at which the owl would have been perched before the flashlight’s beam spooked it, causing it to “glide” toward the group. So while the Flatwoods Monster is a great moniker for a creature that will become embedded into the pantheon of West Virginian mythology, it is more likely that the residents of Flatwoods did not have contact with an otherworldly entity but rather a very perturbed nocturnal bird.Flatwoods Monster, Braxton CountyDespite a myriad of banal explanations regarding the incident, skeptics have not kept the tale from becoming a centerpiece of Appalachian folklore, and nowhere is that more evident than in Braxton County, WV. The town of Sutton, WV houses a museum dedicated to the creature and all throughout the county, one can find oversized decorative chairs dedicated to Braxxie, an endearing nickname for the monster. If you’re adventurous enough to track down all five chairs and have your picture taken at the locations, you can earn a special sticker showing your dedication to preserving local lore (yours truly might just have to do that before the summer is out). If all that isn’t enough, Flatwoods is home to a restaurant and dairy bar close to where everything went down all those years ago.Flatwoods Monster Chair in Braxton CountySo there you have it – the harrowing tale of the Flatwoods Incident, one of the many unique stories that enriches the Appalachian experience. The events that took place on that September night in 1952 have become part of West Virginia’s history and is something that will not be found anywhere else. Real or imagined, the Beast of Braxton County has left its mark.

I love folklore. It is, in my opinion, one of the purest form of storytelling: fantastic events, real or imagined, passed down through generations where truth and tall-telling blend into something greater than the sum of its parts. You will find these kinds of tales wedded to civilizations throughout all points in human history. It is one of those things that makes us, well, us.Flatwoods Monster, Braxton CountyI hope you have enjoyed sharing in this tale with me and I hope that you’ll join me over the next few installments of this series, looking at the folklore that makes our neck of the woods special.

As for the existence of extraterrestrial life, who knows?

The truth is out there.


Thanks to Andrew Smith and the Braxton County CVB for sharing their photos!

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